Michael Tilson Thomas, conductor

Michael Tilson Thomas is Co-Founder and Artistic Director Laureate of the New World Symphony, America’s Orchestral Academy; Music Director Laureate of the San Francisco Symphony; and Conductor Laureate of the London Symphony Orchestra. In addition to these posts, he maintains an active presence guest conducting with the major orchestras of Europe and the United States.

Born in Los Angeles, Mr. Tilson Thomas is the third generation of his family to follow an artistic career. His grandparents, Boris and Bessie Thomashefsky, were founding members of the Yiddish Theater in America. His father, Ted Thomas, was a producer in the Mercury Theater Company in New York before moving to Los Angeles where he worked in films and television. His mother, Roberta Thomas, was the head of research for Columbia Pictures.

Mr. Tilson Thomas began his formal studies at the University of Southern California, where he studied piano with John Crown, and conducting and composition with Ingolf Dahl. At age 19 he was named Music Director of the Young Musicians Foundation Debut Orchestra. During this same period, he was the pianist and conductor in master classes of Gregor Piatigorsky and Jascha Heifetz and worked with Stravinsky, Boulez, Stockhausen and Copland on premieres of their compositions at Los Angeles’ Monday Evening Concerts.

In 1969, after winning the Koussevitzky Prize at Tanglewood, he was appointed Assistant Conductor of the Boston Symphony Orchestra. That year he also made his New York debut with the Boston Symphony and gained international recognition after replacing Music Director William Steinberg in mid-concert. He was later appointed Principal Guest Conductor of the Boston Symphony Orchestra where he remained until 1974. He was Music Director of the Buffalo Philharmonic from 1971 to 1979 and a Principal Guest Conductor of the Los Angeles Philharmonic from 1981 to 1985. His guest conducting includes appearances with the major orchestras of Europe and the United States.

Mr. Tilson Thomas is a two-time Carnegie Hall Perspectives artist, curating and conducting series at the hall from 2003 to 2005 and from 2018 to 2019. In the most recent series, he led Carnegie Hall’s National Youth Orchestra of the United States of America both at the hall and on tour in Asia, opened the Carnegie Hall season over two evenings with the San Francisco Symphony, conducted two programs with the Vienna Philharmonic and finished with a pair of concerts leading the New World Symphony.

A winner of eleven Grammy Awards, Mr. Tilson Thomas appears on more than 120 recordings. His discography includes The Mahler Project, a collection of the composer’s complete symphonies and works for voice and orchestra performed with the San Francisco Symphony, in addition to pioneering recordings of music by Charles Ives, Carl Ruggles, Steve Reich, John Cage, Ingolf Dahl, Morton Feldman, George Gershwin, John McLaughlin and Elvis Costello. His recordings span repertoire from Bach and Beethoven to Debussy and Stravinsky, and from Sarah Vaughan to Metallica.

His television work includes a series with the London Symphony Orchestra for BBC Television, broadcasts of the New York Philharmonic Young People’s Concerts from 1971 to 1977 and numerous productions on PBS’s Great Performances. With the San Francisco Symphony, he created a multi-tiered media project, Keeping Score, which includes a television series, web sites, and radio programs. He received a Peabody Award for his SFS Media radio series The MTT Files.

Mr. Tilson Thomas’s compositions are published by G. Schirmer. In 1991, he and the New World Symphony were presented in a series of benefit concerts for UNICEF in the United States, featuring Audrey Hepburn as narrator of his work From the Diary of Anne Frank, which was commissioned by UNICEF. This piece has since been translated and performed in many languages worldwide. In August 1995, he led the Pacific Music Festival Orchestra in the premiere of his composition Shówa/Shoáh, commemorating the 50th anniversary of the bombing of Hiroshima. His vocal music includes settings of poetry by Walt Whitman and Emily Dickinson, which were premiered by Thomas Hampson and Renée Fleming, respectively. In 2016, Yuja Wang premiered his piano piece You Come Here Often?.

Mr. Tilson Thomas' song cycle Four Preludes on Playthings of the Wind, a setting of Carl Sandburg’s poem, was premiered in 2016 by the New World Symphony, with Measha Brueggergosman as soloist. In 2019 the piece was recorded for Medici.tv at the New World Center and given its New York premiere as part of Mr. Tilson Thomas’s second Carnegie Hall Perspectives series. His first Perspectives series also featured performances of his own compositions, including Island Music for four marimbas and percussion; Notturno for solo flute and strings, featuring soloist Paula Robison; and new settings of poems by Rainer Maria Rilke. In 2020, he led the San Francisco Symphony in the world premiere of his six-part song cycle Meditations on Rilke, and he subsequently conducted the work at the Cleveland Orchestra. Additional compositions include Street Song for brass instruments; Agnegram, an overture for orchestra; and Urban Legend, a concerto for contrabassoon that was premiered by the San Francisco Symphony. In June 2020, SFS Media released an album of works composed by Mr. Tilson Thomas, featuring live concert recordings of From the Diary of Anne Frank, narrated by mezzo-soprano Isabel Leonard, and Meditations on Rilke, sung by mezzo-soprano Sasha Cooke and bass-baritone Ryan McKinny.

Mr. Tilson Thomas is an Officier de l’Ordre des Arts et des Lettres of France, is a member of the American Academy of Arts and Sciences, was Musical America’s Musician of the Year and Conductor of the Year, was Gramophone magazine’s Artist of the Year and has been profiled on CBS’s 60 Minutes and ABC’s Nightline. He has been awarded the National Medal of Arts, has been inducted into the California Hall of Fame and the American Academy of Arts and Letters, and was a 2019 recipient of the Kennedy Center Honors.

2021 Side-by-Side Ensemble

Violin I

Sophia Molina
* Sophia Bernitz
Ian Barnett
Sergio Carleo
Elena Lim
Harry Chang
Isabela Diaz
* Christina Choi
Brendon Elliott
Ethan Hoppe
* Scott Jackson
Jung Eun Kang
Michael Rau
Yefim Romanov
Luis Salazar
* Michael Turkell
* Dillon Welch

Violin II

Ashley Gomez
* Yankı Karataş
Annabella Paolucci
* Jesse Kasinger
David Xiao
* Kathryn Kobylarz
Giah Bush
Ka-Yeon Lee
Odelette Redila
Margeaux Maloney
Dante Jordan
Carson Marshall
Amanda Marcy
* Zachary Ragent
* Chelsea Sharpe
* Natsuko Takashima

Viola

Adam Savage
* Peter Ayuso
Robert Fornos
* Stephanie Block
Branden Cabrera
* Spencer Ingersoll
Julianna Bramble
* Gabe Napoli
Nicholas Bussalleu
* Jacquelyn O’Brien
Sofia Arcila
* Sam Pedersen
Ana Sofia Canchola
* Marlea Simpson
Christine Keedy Brown

Cello

Jonathan Entenza
* Chava Appiah
Joseph Molnar
* Clare Bradford
Tessa Lozowicki
Vivian Chang
James Churchill
* Ben Fryxell
Amy Sunyoung Lee
Emily Yoshimoto

Bass

Gisel Dominguez
Douglas Aliano
* Kathryn Bradley
Levi Jones
Michael Martin
Eric Windmeier
Antonio Escobedo

Flute

Kara Ravaschieri
* Jack Reddick
Samuel Malavé
* Leah Stevens

Oboe

Olivia Oakland
* Victoria Chung
Christopher Axline
* Mark Debski
Daniel Farias
* Joo Bin Yi

Clarinet

Lucas Netto
* Kelsi Doolittle
Hannah Avery
* Jesse McCandless

Soprano and Tenor Saxophone

Jack Reddick

Bassoon

Justin Cummings
Paris Lopez
* Amelia del Caño
Bee Ungar

Horn

Nathan Goldin
* Corbin Castro
Haley Avery
* Thea Humphries
Scott Leger
Matthew Rogers
* Eli Pandolfi

Trumpet

Gianluca Farina
Morgen Low

Trombone

Aaron Abbey
* Guangwei Fan
Jaden Chairez
* Arno Tri Pramudia

Bass Trombone

Noah Roper

Tuba

Andrew Abel

Timpani

Matthew Kibort

Percussion

Stephan Bloch
Jonathan Calixto
Kevin Ritenauer
* Charlie Rosmarin
* Marcelina Suchocka

Harp

Phoebe Powell

* NWS Fellows who served as Side-by-Side mentors