Events & Tickets
Celebrated performing artists and pedagogues Roberto Díaz, Cynthia Phelps and Jonathan Vinocour join MTT to host a performance and discussion of the most popular viola excerpts from the orchestral canon. They will be performed within the context of full orchestra and feature the entire NWS viola section.
Knight Foundation and New World Symphony: Reimagining Classical Music in the Digital Age.
WAYS TO WATCH:
Cynthia Phelps, viola
Cynthia Phelps has Principal Violist with the New York Philharmonic since 1992. Her solo appearances with the orchestra have included performances on the 2006 Tour of Italy and the 1999 premiere of Sofia Gubaidulina’s Two Paths, which the Philharmonic commissioned for her and the orchestra’s associate principal violist Rebecca Young. Other solo engagements have included the Minnesota Orchestra, San Diego Symphony, Hong Kong Philharmonic and Orquesta Sinfónica de Bilbao. Ms. Phelps performs with the Chamber Music Society of Lincoln Center, Boston Chamber Music Society and Bargemusic. She has toured internationally with the Zukerman and Friends Ensemble, appeared with the Kalichstein-Laredo-Robinson Trio and the Guarneri, American, Brentano and Prague string quartets. She has given recitals in the music capitals of Europe and the U.S. Her honors include the Pro Musicis International Award and first prize in the Lionel Tertis International Viola and Washington International String competitions. Her most recent album, for flute, viola and harp, on Telarc, was nominated for a Grammy Award. She has a solo album on Cala Records. She has performed on PBS’s NPR, Radio France and RAI in Italy. Ms. Phelps studied at the University of Southern California’s Thornton School of Music.
Jonathan Vinocour, viola
Jonathan Vinocour joined the San Francisco Symphony as Principal Viola in 2009, having previously served as Principal Viola of the Saint Louis Symphony and Guest Principal Viola of the Leipzig Gewandhaus Orchestra. A native of Rochester, he graduated from Princeton University with a degree in chemistry. He completed his master’s degree at the New England Conservatory, where he studied with Kim Kashkashian.
With the San Francisco Symphony, Mr. Vinocour has appeared as soloist in Britten’s Double Concerto and Mozart’s Sinfonia concertante (both with Concertmaster Alexander Barantschik), Berlioz’ Harold in Italy and Morton Feldman’s Rothko Chapel. He has also performed as a soloist with the Saint Louis Symphony. His first solo album, featuring works of Britten and Shostakovich, was recorded with the support of the Holland America Music Society. Mr. Vinocour was also a featured recitalist at the 2012 International Viola Congress, and he performs frequently in recital throughout the Bay Area.
Mr. Vinocour has been a regular participant at the Marlboro Music Festival and has toured extensively with Musicians from Marlboro. He enjoys a busy chamber music schedule during summer seasons, participating in many festivals such as Seattle Chamber Music, Aspen Music Festival, Bay Chamber Concerts, Music in the Vineyards and the Bridgehampton Chamber Music Festival, among others. He has been a guest of the Da Camera Society of Los Angeles, Boston Chamber Music Society, International Sejong Soloists, and is a frequent guest artist with the Saint Lawrence String Quartet. He is a founding member of ECCO (East Coast Chamber Orchestra), based in New York.
A dedicated and increasingly active pedagogue, Mr. Vinocour has presented master classes at conservatories around the country and abroad. He is a regular coach at the New World Symphony, has been on the faculty of the Aspen Music Festival and School, and is currently on faculty at the San Francisco Conservatory of Music. He plays a 1784 Lorenzo Storioni viola, on loan from the San Francisco Symphony.
A violist of international reputation, Roberto Díaz is president and chief executive officer of the Curtis Institute of Music, following in the footsteps of renowned soloist/directors such as Josef Hofmann, Efrem Zimbalist and Rudolf Serkin. As a teacher of viola at Curtis and former principal viola of The Philadelphia Orchestra, Mr. Díaz has already had a significant impact on American musical life and continues to do so in his dual roles as performer and educator.
As a soloist, Mr. Díaz collaborates with leading conductors of our time on stages throughout North and South America, Europe and Asia. He has also worked directly with important 20th- and 21st-century composers, including Krzysztof Penderecki, whose Viola Concerto he has performed numerous times with the composer on the podium and whose Double Concerto he premiered in the United States during the 2013-14 season; and Edison Denisov, who invited Mr. Díaz to Moscow to work on and perform his Viola Concerto. Ricardo Lorenz and Roberto Sierra have written concertos for Mr. Díaz and he premiered a concerto by Jennifer Higdon in 2015.
As a frequent recitalist, Mr. Díaz enjoys collaborating with young pianists, bringing a fresh approach to the repertoire and providing invaluable opportunities to artists at the beginning of their careers. In addition to performing with major string quartets and pianists in chamber music series and festivals worldwide, Mr. Díaz has toured Europe, Asia and the Americas a member of the Díaz Trio with violinist Andrés Cárdenes and cellist Andrés Díaz. The Díaz Trio has recorded for the Artek and Dorian labels.
Mr. Díaz’ recordings on the Naxos label with pianist Robert Koenig include the complete works for viola and piano by Henri Vieuxtemps and a Grammy-nominated disc of viola transcriptions by William Primrose. Also on Naxos are the Brahms sonatas with Jeremy Denk and Jonathan Leshnoff’s Double Concerto with violinist Charles Wetherbee and the Iris Chamber Orchestra led by Michael Stern. On the New World Records label is a live recording of Mr. Díaz’ performance of Jacob Druckman's Viola Concerto with Wolfgang Sawallisch and The Philadelphia Orchestra. Upcoming releases include the Walton Viola Concerto with the New Haven Symphony and William Boughton (Nimbus) and the Viola Concerto by Peter Lieberson with the Odense Symphony Orchestra and Scott Yoo (Bridge Records).
Since founding Curtis On Tour six seasons ago, Mr. Díaz has taken the hugely successful program to North and South America, Europe and Asia, performing chamber music side-by-side with Curtis students and other faculty and alumni of the school. In addition to Curtis On Tour, his tenure as president of Curtis has seen the construction of a significant new building which doubled the size of the school’s campus, the introduction of classical guitar and string quartet programs, the launch of Curtis Summerfest which is open to the public and the debut of an online stage called Curtis Performs. In the fall of 2013 Curtis became the first classical music conservatory to offer free online classes through Coursera. Also under Mr. Díaz’ leadership, the school has developed lasting collaborations with other music and arts institutions in Philadelphia and throughout the world and has established the Community Artists Program (CAP) to develop the entrepreneurial and advocacy skills of young musicians.
Mr. Díaz received an honorary doctorate from Bowdoin College and was awarded an honorary membership by the national board of the American Viola Society. In the fall of 2013 Mr. Díaz became a member of the prestigious American Philosophical Society founded by Benjamin Franklin. As a member of The Philadelphia Orchestra, he was selected by Music Director Christoph Eschenbach to receive the C. Hartman Kuhn Award, given annually to "the member of The Philadelphia Orchestra who has shown ability and enterprise of such character as to enhance the standards and the reputation of The Philadelphia Orchestra." Mr. Díaz received a bachelor’s degree from the New England Conservatory of Music, where he studied with Burton Fine, and a diploma from the Curtis Institute of Music, where his teacher was his predecessor at The Philadelphia Orchestra, Joseph de Pasquale. Mr. Díaz also has a degree in industrial design.
In addition to his decade-long tenure as principal viola of The Philadelphia Orchestra, where he performed the entire standard viola concerto repertoire with the orchestra and gave a number of Philadelphia Orchestra premieres, Mr. Díaz was also principal viola of the National Symphony under Mstislav Rostropovich, a member of the Boston Symphony under Seiji Ozawa and a member of the Minnesota Orchestra under Sir Neville Marriner. Mr. Díaz plays the ex-Primrose Amati viola.